... John O'Hara on
Jazzmen. (Hat tip, Dave Lull.)
The trouble with most writing about jazz is that it reads one or more of several ways: as though it had been written with the attitude of a class secretary preparing an obit on a fellow he didn’t know awfully well and never was sure he wanted to know better; or written by a pedant who had rhythm and an ear in spite of himself; or written by Charles Edward (“I knows how to write”) Smith. I don’t know which is worst, but you’ll find all three in this book.
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