Recent developments have revealed that Zeitoun is a misleading feel-good hagiography running against this apparent commitment to accuracy. The New York Times Book Review‘s Timothy Egan suggested that Eggers was a modern-day “Charles Dickens, his sentimentality in check but his journalistic eyes wide open.” But Eggers has glossed over a good deal more than what Egan has insinuated. Abdulrahman Zeitoun is not the calm and peaceful man that Eggers portrayed.
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